And the day after, I tried it with pans (which was a possibility I found by systematicly exploring the design space of materials to build the lear-synthesizer with, everything from porcelain to tin foil was on that list).
A quite different result compared to my hand-test. It was hard to shape the resonance in the way needed to express different tones. The pans actually worked better for dub-delay-effect typed sounds, and was quite hard to be able to resonate in different tones, even tough I used a resonator. It was hard to "find" the tones.
It would be highly intressting to test it on some more appropiate form, a trumpet, for example.
The setup is that my built in microphone records the sound coming out of the loudspeakers, filters it, delays it because of latency and sends it out.
The chain is Mic->Saturator (distoritive amplifier) -> Resonator (narrow banded musical eq) -> Compressor with high ratio/limiter -> Speaker (mic)
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